- Confronting the social miasm makes you nervous, because that’s trying to fit into two totally opposing realities. Goddess energy is in charge of breaking the standards by which women have submitted themselves, it’s the quickening by Spirit
- Properly identifying discomfort as coming from the effort to fit into two groups, one responding to that Goddess energy, one group trying to control you more
- The body communicates to you – how the body is the physical metaphor for the spiritual implication of what one is doing energetically
- A dream of the chakra flute player
- The chakra system is literally laid out like a flute
- The vision – “When you play your flute, you get a rainbow. The sound of the Holy Spirit”
Confronting the social miasm makes you nervous, because that’s trying to fit into two totally opposing realities. Goddess energy is in charge of breaking the standards by which women have submitted themselves, it’s the quickening by Spirit
Erika: And that’s what makes me nervous.
Tom: Okay. Well, no that’s not what makes you nervous. See, it’s the social miasm that is being confronted, that makes you nervous. If the social miasm weren’t there. In other words, if you weren’t trying to fit into two different totally opposing realities, then you wouldn’t be nervous.
Erika: Right. So the social reality is that I need to be submissive because I’m a woman?
Tom: Yes.
Erika: That’s the miasm?
Tom: Yes.
Erika: And I can’t allow that energy to …
Tom: So the Goddess Energy is in total contradiction with what women have accepted as their place in society.
Erika: Yes.
Tom: The Goddess Energy says I get to act according to the way I feel, no matter what anybody says. That’s not what society says. <laughter>
Erika: Right.
Tom: So that’s what’s making you nervous. Because you’re getting this awareness inside of you, this drive that’s coming with your ovary energy, and this right ovary energy is that potential for your expression of male assertive, aggressive ability to create, and that is sexual.
Erika: That’s the Goddess?
Tom: It’s stimulated by the Goddess. The Goddess is much more than that. But the Goddess certainly is in charge of breaking the standards by which women have submitted themselves, to men for millenia. And that’s what’s going on.
Erika: So he’s helping me bring out my Goddess.
Tom: Well, I think there’s a whole lot of things that are helping you bring out your Goddess Energy. More than what you’re doing with me, there’s other facilitators. You’ve been doing a lot of work.
Erika: There’s a lot going on.
Tom: Yes. You’re pursuing it. You’re being what I call, you have been quickened by Spirit. And what you’re finding is that you’re coming head-to-head with the social miasm that says ‘That’s not appropriate.’ And it’s time to say ‘I get to be whatever I want to do.’
Erika: Okay.
Tom: Because that’s who I am.
Erika: Cool. Exciting. Now I feel better knowing it’s just a miasm I was nervous about, and not so much him. Because he doesn’t make me uncomfortable. I feel very comfortable.
Properly identifying discomfort as coming from the effort to fit into two groups, one responding to that Goddess energy, one group trying to control you more
Tom: Right. Make sure the discomfort is coming from knowing exactly what’s going on with the two of you, and still trying to fit into some kind of peer group that tells you how it is you should be behaving, how you should be behaving. And if you do that, it will make you very nervous. <laughter>
Erika: I won’t get into that group any more. Well, I can’t, even if I tried.
Tom: No you couldn’t. You couldn’t possibly fit into it. They won’t let you. Because even if you were to try to suppress yourself down, it wouldn’t be enough. It would never be enough.
Erika: Okay.
Tom: Because the reason that this suppression is there is because they really want to control you. And if you are giving yourself up to being controlled to a certain level, then they will only want to control you more. <laughter>
Erika: agreeing: Mm-hm. It makes sense. Interesting. Yes.
Tom: So how does your side feel?
Erika: It feels better. I don’t feel I have to reach for it.
Tom: Good.
Erika: But I seem to reach for things that –
The body communicates to you – how the body is the physical metaphor for the spiritual implication of what one is doing energetically
Tom: Right. Yes, your body is drawing attention to the area which is being energetically suppressed. So that’s why your body drew attention to the right ovary, is because it was exactly the physical metaphor for the spiritual implication of what it was that you’re doing energetically.
Erika: Makes sense.
Tom: That’s the way your body communicates to you. If you were having problems with loss of identity, you’d be having knee problems.
Erika: Right. And like what Louise Hay was talking about.
Tom: If you’re having problems with loss of identity, in relationship to others, you’d be having elbow problems.
Erika: Okay.
Tom: So, your body is mapped out so that if you know how to read the mapping, your body tells you exactly what’s going on with you, and in what area you need to look in order to heal yourself, if you understand what your body is about. And if you understand the physical mapping onto the spiritual principles, then it’s just the physical roadmap to tell you what you’re doing spiritually.
Erika: Okay.
Tom: That’s how we got there.
Erika: That’s what I’m learning – it’s like maintaining my body instead of being like, ‘Oh, there’s something wrong.’ Because I’m always aware of something in my body instead of just enjoying being in a physical body.
Tom: Right. And it’s an integration of your Soul and your Higher Self, which are two different spiritual elements. Soul and Higher Self are two different things. But it’s an integration of your Higher Self with your Soul in your physical being that allows you to be the full potential of the human experience.
Tom: The Higher Self is that aspect of your energy body, which communicates directly with God, because it’s exactly like God. It’s made of the same substance. There’s no translation necessary. The language that your Higher Self speaks is the same exact language that God speaks. So, to put it in the realm of a computer, it’s binary. No translation necessary. Your Soul however, speaks binary. It speaks DOS, and it also speaks Operating Language.
Tom: And so when your Higher Self is trying to communicate with your physical conscious awareness, it needs to go through Soul, so it’s speaking binary, the Soul translates the message into DOS, which it can actually speak with any of the other Souls directly, DOS to DOS. And then it can also translate DOS into Operating System language which is like Windows 7, or whatever Mac is, so your conscious mind perceives what it is that’s going on, and so when two people talk, person-to-person, we talk Operating System. When Souls talk to each other, they’re talking DOS. When Higher Selves talk to each other, they’re talking binary. So that’s how that all works out.
Tom: So you were getting quickened by God in your Higher Self, and your Higher Self was transmitting that information to Soul, your Soul was transmitting that information to your conscious awareness, and your body’s going like, ‘Hey, you know what, you’re paying too much attention to this miasm –
Erika: Yes. Forget it!
Tom: Because, ‘I’m being stimulated down here, and you’re resisting the stimulation.’
Erika: Right! Yes.
Tom: So that’s what I mean by the process of being quickened. Okay. So you get quickened, you get quickened, not only in your energetic beings and your energy bodies, you get quickened in your physical body as the stimulation of what’s going on energetically.
Erika: And that’s the healing.
Tom: Well, your physical body will respond to it, but then your back brain, your ego, will go like, ‘Uh uh! Not going there! That’s too scary, because how will I fit into the societal miasm now, if I do that?’
A dream of the chakra flute player
Erika: Oh! I had a dream last night. I’ll be in my room and like I said I’ll see doors; sometimes it’s windows. So I’ll be in my apartment, in my dream, and I’ll wake up and I’ll go to my window, and I’ll see something showing to me at my window. And I have a huge window. So I think in my dream I’m awake, and then I wake up in the morning and I go like, ‘Oh, I was not awake. I was dreaming.’ But I –
Tom: I think your Soul’s awake.
Erika: Yes. It’s like that awake. So, I went to my window, and I saw a really beautiful, beautiful mountain. And like the right side of it has a keyed-in orange, like the sun was hitting it setting, and the other side was white. And there were rainbows, but like perfect circular rainbows, kind of like when I was a kid and I’d go to the doctor’s and I’d have those really perfect little rainbow stickers. It was like that. And it started showing up all over. And I’m like ‘I want to catch this. I’ve got to get my camera.’ So I’m like, getting this camera, but the camera’s got some really weird memory on it, and I’m like, ‘OMG, what is that?’ I’m trying to delete it, and I can’t capture it. So I’m like, ‘Okay, whatever. I’m just not going to bother.’ And then he pulls – at first I’m scared to look, but then ‘I’m just going to keep looking.’ And I look, and I see this boy playing a flute. And when he was playing, more rainbows started showing up. You know, like that’s really interesting. It was beautiful! I’ve never seen rainbows like that before. And I’ve never seen that scenery before. It was like colors that are probably not even physically available to our eyes. And he was playing. And then I woke up at five in the morning and I drew it. I brought it. It’s not exact. And I’m going to probably color it, but this is I what I just kind of did at five in the morning. He was like, playing this flute. And you know I could see it, but it’s like perfect, circular rainbows … it’s like this really interesting … I don’t know – it wasn’t exact, it wasn’t like this, because I could see my apartment buildings –
Tom: I’m pretty sure you going to color that, aren’t you?
Erika: Oh, yes. I’m going to transfer it to other paper, but – and then I thought, I woke up in the morning and I thought, ‘He’s a chakra player or something, and he was activating chakras, and made the rainbow colors where the activations of the chakras was.’ And I was like ‘So you’re playing a flute and I remember when we talked about, when you said about the flute, and the chakra is like a flute. And now it makes sense! So he was out there playing, and more rainbows showed up and I was like, ‘Wow, what is he doing to make all these rainbows happen?’
Tom: Playing his flute.
Erika: Playing his flute. And it was like –
Tom: And guess what? When you play your flute, your chakra flute, then your rainbows show up.
Erika: Yes! Like that makes perfect sense. Now I want to make it like awesome – that was like 5 in the morning, I was still half asleep trying it out, I don’t know what, I guess I’ll draw it.
The chakra system is literally laid out like a flute
Tom: So yes, we need to go a little bit into this chakra thing. I know this is a repeat, but recap of what we talked about the other day, but your chakra system is literally laid out like a flute, so one of the chakras, Crown Chakra, Third Eye, great Dream Chakra, Throat Chakra, Thymus, Heart, Diaphragm, Solar Plexus, Naval, Gonadal, and Root Chakra are all equidistant. And, because the resonant harmonics of the vibrational energy within the chakra chamber has to abide by the same physics that everything else does. So all these chakras have to be equidistant.
The vision – “When you play your flute, you get a rainbow. The sound of the Holy Spirit”
Tom: Basically what your vision is about, is that if you play your flute, you get a rainbow.
Erika: Yes! They’re really cool. That was awesome. I’d never seen them like that, because it was just perfect circular, kind of like a crown chakra, when it’s like circular like that. It was –
Tom: You can actually have a complete circular rainbow under certain circumstances, where the
Erika: Sometimes it’s like this huge….
Tom: Where if you’re looking at the sun, and the rainbow will actually appear totally around the sun. But it has to be under ideal circumstances. Hardly ever happens.
Erika: I wonder when this happened. It was really cool. The music was different. It was very high, like the frequency of …. high frequency.
Tom: Frequency. High pitch?
Erika: Yes. It was so nice. It was like nothing that my ears would hear, simple noise – I was listening with not just my ears, it was something else that I was listening with.
Tom: It’s the sound of the Holy Spirit, the wave of vibration of all of the Soul particles drifting out and then reconciling back, coming back on the returning wave, that’s the sound of it.
Erika: Is that what it was?
Tom: Yes. You don’t hear it with your ears.
Erika: You don’t. You can’t.
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